Limited supply.
Archive for April, 2010
Screening 2 videos at Parakino in Gdansk, Poland May 6.
HEP Poland 2010
6 MAY 2010 @ 18:00
Laznia Centre for Contemporary Art
Centrum Sztuki Współczesnej Łaźnia
ul.Jaskółcza 1, 80-767 Gdańsk
Curator: Michał Brzeziński
www.laznia.pl
2 films selected
Mirror/Mirror (with Alison Williams) and Undisclosed Beauty
Participating in the Art Beijing 2010 Contemporary Art Fair.
Participating with my film “Undisclosed Beauty” at the Art Beijing 2010 Contemporary Art Fair in the Artists Cinema.
4.29 – 5.2 2010
VIP PREVIEW : April 29(6pm – 10pm)
Folkliv/Folklife the Experimental Tv Series will premiere May 7th.
May 7th a new TV-series by me and Robert Willim together with ethnologist Mia-Marie Hammarlin and The Folklife Archive in Lund will premiere.
Here’s more info in Swedish:
Vad vet vi egentligen om livet i Sverige under bondesamhället? Följ med till gränslandet mellan fantasi och verklighet, när nu bild, ljud och berättelser ur Folklivsarkivet i Lund presenteras på ett nytt sätt.
Fredagen den 7 maj börjar en ny TV-serie producerad av Lunds universitet att sändas av UR i Kunskapskanalen. Serien består av tio avsnitt på sex minuter vardera. Syftet är att gestalta svensk folkkultur och sägner från framförallt 1800- och det tidiga 1900-talet på ett nytt och fantasieggande sätt.
Programmen baseras på arkivmaterial från Folklivsarkivet i Lund. Bilder och musik vävs samman med berättelser om seder och bruk samt mustiga skrönor till en suggestiv audiovisuell blandning.
Projektet har drivits av etnologen och konstnären Robert Willim samt konstnären Anders Weberg, i samarbete med etnologen och speakern Mia-Marie Hammarlin. Arbetet har skett med stor hjälp av arkivarierna Charlotte Hagström och Göran Sjögård samt musikarkivarien Patrik Sandgren på Folklivsarkivet.
Sändningstider:
Blod 7 maj kl. 22.50
Gräns 14 maj kl. 22.51
Gäst 21 maj kl. 22.52
Havande 28 maj kl. 22.53
Kraft 4 juni 22.53
Kärlek 11 juni 22.52
Mjölk 18 juni 22.50
Orm 25 juni 22.52
Tänder 2 juli 22.53
Vatten 9 juli 22.54
FutureEverything 2010 Art Curatorial Statement Online.
Read curatorial overview on the art programme at the FutureEverything 2010 festival.
by Drew Hemment with Kate Taylor & Karen Gaskill.
Mine and Robert Willims film Elsewhereness:Manchester is part of the program.
http://www.futureeverything.org/blog/2010/04/artcuratorialstatement/
Selected for the Crosstalk Videoart Festival in Budapest.
The film “MAMO” that I filmed with a mobile phone at Birkenau (Auschwitz II) in 2008 is selected for
the Crosstalk Videoart Festival, June 1-6 in Budapest, Hungary. www.crosstalk.hu
National Museum of Contemporary Art, Athens, Greece.
Esse, Nosse, Posse
Common Wealth for Common People
On-line exhibition: www.emst.gr/commonwealth
Curated by: Daphne Dragona
The network society and especially the internet culture of the last twenty years has changed our mode of working, communicating and living. The numerous and continuously evolving digital networks of people, institutions, movements and organisatations have been based on the new possibilities of technology but have also given birth to new forms of economy and value that fit into the immaterial time and space of flows. The elements of collaboration, collective intelligence, free and common knowledge have now become principal and have empowered a multitude of people that believe in the new potentialities given in the networked reality. This digital multitude, the new contemporary creative working class, surpassed the borders between work and leisure, driven by a desire to learn, to share, to collaborate. The notions of the attention economy, the gift economy, the common wealth, the immaterial, affective but also precarious labour are frequenty used to describe the phenomena of our era. But, what is the meaning of these new features of economy in times of global financial crisis?
What role do the networks really play? Can the offer alternative and sustainable models of collaboration and production? Or they are a contemporary illusion that contributes to the difficulties and adversities that the contemporary multitude needs to face?
The new online exhibition hosted in the website of the National Museum of Contemporary Art, aims to focus on the new forms of labor as well as on the new values and costs emerging in the new connected reality and it therefore presents:
-artists’ projects and critical perspectives commenting on the new forms of internet economy,
-initiatives and open platforms by independent creators who encourage the use of free and open software, the exchange of knowledge and experience,
-texts by critics and media theorists on networks, economy and the arts.
Contributing artists and theorists: Burak Arikan (Τurkey), Samuel Bianchini (France), Michael Bielicky, Kamila B. Richter (Chech Republic/ Germany), Marcelo Expósito (Spain), Furtherfield (UK), Pat Kane (UK), Carlos Katastrofsky (Austria), Dmytri Kleiner (Germany) , Nicholas Knouf (USA), Tobias Leingruber (Germany)/ Jamie Wilkinson (USA)/ Greg Leuch (USA), Aarton Koblin & Daniel Massey (USA), Geert Lovink (Netherlands), MediaShed & Eyebeam (UK/ USA), Molleindustria (Italy) Ge Jin aka Jingle (China), Matteo Pasquinelli (Italy), Platoniq.net (Spain), Juan Martin Prada (Spain), Kate Rich (UK), Stephanie Rotenberg & Jeff Crouse (USA), Trebor Scholz (USA), Anders Weberg (Sweden)
New artwork – Conveyors
The artwork Conveyors by me and Robert Willim is now finished.
Project url: http://www.conveyors.se
”A traffic hub is intended to provide predictable movement and transport. But you never quite know which motions and emotions will occur. So, how to depict or make sense of these kind of sites? In this case the traffic hub is Knutpunkten in Helsingborg, southern Sweden. How could experiences of everyday flow that merge with the unpredictable be illustrated here? How can the kinaesthetic, distributed, fleeting and affective dimensions of city life be evoked? Our approach is to use conveyors as our metaphor.”






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