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Nothingness episode two. Made with the iPad 2.

Nothingness episode Two
Filmed with the iPad 2.
2011/09/16
01:31

by Anders Weberg

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Screening online/offline. In Control – a videoart memoir.

In Control – a videoart memoir

A special curated program by the isfth foundation for Don’t you have docs? art platform, Australia.

One of the goals of the isfth foundation is to show the diversity and quality that can be found in the field of audio visual art. Over the last six years we have collected and screened every imaginable genre, from emerging to established artists alike and presented these to an international audience.

Within this unconventional videoart archive we occasionally come across a truly inspiring work – one that stands out because of its original concept or visual excellence. Although art is arguably a subjective field, the artist is here undeniably in control, from concept till the visualization of this concept.

Albeit this program is seemingly an eclectic collection, these films befit exactly the foundations goals.

Screening at “Don’t you have docs?” September 2011

Don’t You Have Docs? is a monthly curated program of short non-fiction films. Screening online on mubi.com Garage and at various locations in Australia, the program promotes the best short docs from all over the world.
www.dontyouhavedocs.com

Screening at “LOOP” 19 September 2011

Loop presents an ever-changing roster of screen works, experimental music, audio-visual performance, and forums. Please check the home page for the weekly and upcoming schedule. We invite individuals and collectives to submit proposals.

23 Meyers Place
Melbourne
Australia
www.looponline.com.au

Dalibor BaricThe mind from nowhere
The title comes after replacing one letter from J.G.Ballard’s novel “wind from nowhere” (apocalyptic hurricane force wind). Also I-Ching Hexagram 61: The Inner Truth “The wind blows over the lake and stirs the surface of the water. Thus visible effects of the invisible manifest themselves”. Here is an (invisible) mind which manifests itself subjectively as a stream of consciousness (or as a film).

Narrative leads to the dead-end. Film is a collage, built upon various movie clichés; behind all the cut-ups, it vaguely suggesting the storyline of woman who is haunted by thoughts about her late husband/lover dead soldier; a seance and of diabolical, manipulative medium. Melodrama is interwoven with images of violence, war and mass destruction creating surreal and an absurd atmosphere (although it could be happening simultaneously but at different places).

The Mind From Nowhere

Helena BulajaMechanical figures
Collection of short films inspired by the scientist Nikola Tesla – a journey through the creative process from idea to ….

Mechanical Figures

Claudio CastelliGiocattoli Futuristi
The storytelling [in Futuristic Toys] aims to be a reprise of a certain futuristic representation, a grotesque tale of the lack of psychology in this type of dramatic scenes, and which would spark a sense of loss and amazement in the viewer, still remaining in a dreamlike vision.

Giocattoli Futuristi

Alfredo HisaNearby
In our hectic urban routine, the optimism of squeezing everything into a single day clashes directly with our inevitable delays. On the streets, individuals and its means of transportation move frantically. On duty, they always have predetermined destinies.

Despite our contemporary problems with time restrictions, we can still nurture our imagination on a daily basis. Ordinary places can be a lot of fun. This empty gap between our train of thoughts is where I get my inspiration from. The tiny slit we don’t care about is a portal to a universe where things can be awaken.

Nearby

Lemeh42 – Study on human form and humanity #01
This work has been first shot as a video performance on a theater stage, then it has been edited digitally. The title in fact refers to both the two phases of the work. As a recorded performance this work reflects on the human form. We have created a coreography based on the movements and positions of a sleeping body.

Study on Human Form and Humanity #01

Adèle MiossecBeauté
Réalisation stop motion.

Beauté

Jean-Gabriel PériotLes Barbares
We are scum! We are barbarians!

Les Barbares

Fabio ScacchioliDead SEEquences
“dead SEEquences” is a video composed of 3770 frames. Working frames by frames, we find that nothing happens inside each single image, but all pass between the frames, in the invisible gap that separe a frame by others. The film is here, but there isn”t something to see, the most important remain invisible and uncertain. There is no truth to discover. The truth is always elsewhere.
This is a study about the vanishing of an image. It”s the image of a naked body, the most tangible and real thing for a human being. Not a body, but the image of a body. In this gap operate the principle of disappearance: between the object and his image there is a distance, a limit, a separation; this is the functioning of language, the only way we know to relate with the world and the others. Between each word and his meaning we find this distance as an original sin, a gap where the world disappear to be speaked. To communicate, the world and the human being have to disappear. For this, the art have to become “uncommunicative” and “uncommunicable”.

Dead SEEquences

Josien VogelaarPenelope
The story of Penelope, the wife of Odysseus, is visualized by little figures made of cut out photographs of the body of the artist. The figures represent the female, male and animal characters in the story. Such as: Penelope, Odysseus, their son Telemachos, the nurse, slaves and servants, warriors, , a goddess, the suitors, horses and the dog Argos. The film is made in stop motion technique.

Penelope

Anders WebergFor Sore Eyes
“For Sore Eyes” is another exploration of the ambivalence of the male gaze and gendered (dis)order.
It is a suggestive reflection of life in the pyrotechnic in sanatorium of consumerism freedom.
But what is really freedom?

For Sore Eyes

The full program is available on our Don’t You Have Docs? Mubi Garage channel and will also screen at LOOP in Melbourne on Monday the 19th of September at 7pm. No door charge!

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New elsewhereness video. This time Milton Keynes.

Elsewhereness:Milton Keynes
2011

Duration 03:00

Video:Anders Weberg :: weberg.se
Sound:Robert Willim :: robertwillim.com

Commissioned by The 2nd International Visual Methods Conference in Milton Keynes, UK. visualmethods.org/​

Project url: elsewhereness.com/​

ELSEWHERENESS

The Elsewhereness series deals with questions of site specificity, juxtaposing the nomadic with the place-bound. Early site specific artworks in the 1960-70 were often massive in form and commented the commodifications of the prevailing artworld. Many works were made in harmony with artist Richard Serras expression” to remove the work is to destroy the work”. The work was place-bound. Site specific art has since then been mixed and transformed. Often its about the social, about engagement and relations between people living in a certain place and visiting artists.

Elsewhereness twist these approaches. It is instead about the ephemeral, about alienation and non-presence. It takes the possibilities of digital media for site specific art to its extreme. It’s also in a way a caricature of the ideas of the art worlds commissions creating a “one place after another”-dynamic that Miwon Kwon writes about in her discussion of the history of site specific art (2002). Elsewhereness is about the artists NOT being there. The artists are elsewhere, touching from a distance.

Elsewhereness is based on a number of site specific audio-visual works. The works are made solely from audio and videomaterial found on the web, material that emanate from a specific place. The audiovisual pieces are manipulated and composed into a surreal journey through an estranged landscape. The films are based on the culturally bound and stereotypical preconceptions of the artists.

The finished Elsewhereness work can be downloaded into a media player or mobile phone and enjoyed when walking around the surroundings of the specific place, from where the material emanate.

Previous commissions:
ELSEWHERENESS:NEW ORLEANS, Commissioned by Ethnographic Terminalia 2010, New Orleans. USA.
ELSEWHERENESS:UTRECHT, Commissioned by IMPAKT 2010, Utrecht, the Netherlands.
ELSEWHERENESS: MANCHESTER, Commissioned by FutureEverything 2010, Manchester, UK.
ESLEWHERENESS: CAPE TOWN, CAPE 09 Art Biennale, 2009, Cape Town, South Africa.
ELSEWHERENESS: YOKOHAMA, Dislocate 08 Festival, 2008, Yokohama/Tokyo, Japan.

As the series expands, a number of places will be joined into a web of surreal associations, saying something about the various places but also about cultural preconceptions.

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New video made with the iPad. Nothingness /1.

Nothingness episode One
Filmed with the iPad 2.
2011/09/05
01:47
no sound

by Anders Weberg

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“Behind Closed Doors” video documentation.

AUGUST 14 – 28 CURATED BY ANDERS WEBERG.
STIAN [CON] TEMPORARY ART GALLERY KÖLLERÖD/SWEDEN
WWW.CON-TEMPORARY.COM
ALICE CALM [FRANCE] BOJAN GAGIC [CROATIA] SCANT INTONE/CONSTANTINE KATSIRIS [CANADA] HEATHER WARREN-CROW [US] LEA VAN STEEN/RAQUEL KOGAN [BRAZIL] JONATHON KEATS [US]

A small videodocumentation from the latest exhibition at my own gallery.
Stians facebook

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New meaningless film finished. Filmed with the iPad 2.

Meaninglessness.
Having no meaning or significance.
meaninglessness.org

Meaninglessness Act:six
Filmed with the iPad2
August 24
16:9
05:49

More acts to come.

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This film and all the files used creating it will be deleted 2011/11/11.

“short excerpt from the full film”

1 1 1 1 1 1
Arousal Triggers
By ANDERS WEBERG

This film and all the files used creating it will be deleted 2011/11/11.

A 11hour 11minute 11seconds and 11 frames long experimental audio visual excursion by Swedish artist and filmmaker Anders Weberg.

All material filmed with a mobile phone and the ipad2.

weberg.se

P2P Art – The aesthetics of ephemerality.
p2p-art.com

Art made for – and only available on – the peer to peer networks.
The original artwork is first shared by the artist until one other user has downloaded it.
After that the artwork will be available for as long as other users share it.

The original file and all the material used to create it are deleted by the artist.

There is no original

A project from Swedish artist Anders Weberg since 2006.

Feel free to download the film, watch it and share it for as long as you like. Or delete it immediately. The aesthetics of ephemerality.

111111 is the seventh release so far uploaded and deleted.

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22th june, International Day of the Video Art.

My video – Undisclosed Beauty will be screened tonight at Cultural Center Antiguo Instituto (Gijón, Spain).
It will be part of the program of the celebration of “22th june, International Day of the Video Art” organized by the Optica Festival.

Event on facebook

The selected works are:
Felip Prunyonosa “Ex aequo”
Toby Tatum “The sealed world”
Samuel Domingo “Rascarse la barriga”
Ann Steuernagel “Charades”
Igor Blanco “Cristal”
Anders Weberg “Undisclosed Beauty”

Florence Babín “URA – L”
Sönke Held “Lightning Strikes”

Full info in Spanish.

Optica Festival, con la colaboración de la Fundación Municipal de Cultura, te propone un año más la celebración del “Día Internacional del Videoarte”.
Esta iniciativa, cuya convocatoria corre a cargo del Colectivo Interferencias, tiene lugar en todo el Mundo cada 22 de junio.
En Gijón, se desarrollará un intensa actividad en torno a la videocreación, el programa de contenidos estará conformado por:
- Presentación oficial del proyecto “Videoteca de Gijón-Xixón”: un espacio abierto a la reflexión, indagación y estudio del mundo de la cultura audiovisual.
- Photocall “I love Video art”.
- Proyecciones:
Felip Prunyonosa “Ex aequo” (España)
Toby Tatum “The sealed world” (Reino Unido)
Samuel Domingo “Rascarse la barriga” (España)
Ann Steuernagel “Charades” (EEUU)
Igor Blanco “Cristal” (España)
Anders Weberg “Undisclosed Beauty” (Suecia)
Florence Babín “URA – L” (Francia)
Sönke Held “Lightning Strikes” (Alemania)

- Encuentros con artistas: Mariana Bernardo, Laura Fernández Blanco, Yvonne López Carrió, César Naves y Jaime Rodríguez. Proyectaremos las siguientes obras: “Premio” de Yvonne López Carrió, “Dust” de César Naves en colaboración con el creador sonoro Angelo Secondini y “Requiem Aeternam” de Jaime Rodríguez en colaboración con la performer Sneh Vida y la creadora sonora Jocelyn Pook.

- Música electrónica en directo a cargo del dúo OverBit.

Durante la jornada, sortearemos varios lotes de películas en DVD entre todos los asistentes.

Todas las actividades, que serán de carácter gratuito, tendrán lugar entre las 18:00h y las 21:30h, en el Salón de Actos del Centro de Cultura Antiguo Instituto de Gijón/Xixón (Calle Jovellanos, 21).
¡Estás invitado/a!. ¡Te esperamos!

Fotografía del evento: @Cecilia Molano

* Nota: El 22 de Junio se celebra en todo el mundo el Dia Internacional del Videoarte. Nosotros desde Gijón, España, dedicaremos la tarde a festejarlo. Si os resulta interesante participar desde la distancia puede ser haciendo una fotografía con el slogan de “I love Video art” para nuestra memoria. Enviadnos un e-mail a: videoart.day@opticafestival.com y os enviamos el slogan en pdf para poder hacer la foto con él. Después con todas las fotografías que recibamos abriremos una carpeta donde se puedan ver y/o editaremos un vídeo:

http://vimeo.com/10269413

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New Url Art.

http://thisisauniqueplaceontheinternet.com/

Great article on Url Art by Mathias Jansson in the latest issue of the Swedish magazine Konstperspektiv with history and a few examples.

Link [Swedish]
Internetminimalism och dadamaximalism.

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New video made with the iPad 2.

I just finished a new video.
Absent IV.

This is my first try with the camera on the iPad 2. Since I always do a lot of post production no matter what format I film on the finished film kind of always looks the same and so for this one as well.
A bit disappointed with the camera but I will try it out for a few more upcoming projects. The camera I compare it to is the one in the Nokia N8 mobile phone.

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