I’m very glad to announce my participation in the Male/Female/ exhibition at the Oscar Niemeyer Museum in Curitiba, Brazil.
My work Unpixelated will be on display between June 1 and July 1.

http://olhardecinema.com.br/en/filme/multiolhares/ 

/ MULTIOLHARES>
/ exposição de videoarte e cinema experimental / experimental film and videoart exhibition
Multiolhares is the segment of the Olhar de Cinema festival dedicated to audiovisual works that move beyond the limits of conventional screens. Experimental cinema, video art, new media; often regarded as a “laboratory” apart, even today these different categories of formal experimentation can be misinterpreted by orthodox moviegoers as mere exercises in language, but whose potential of expressing worldviews is, at the very least, equivalent to that of the traditional cinema.

From this mutual importance given to attitudes and procedures, we present the Male/Female/ exhibition at the Oscar Niemeyer Museum. As the name already suggests, these works come from more or less resolved dualities between genders but, not limited to that, they propose more subjective interpretations within an aesthetic-political perspective. Made at different times in the past ten years, with no previous connections with each other, the works respond to the central theme either by themselves or through new connections suggested for this occasion.

WORKS IN EXHIBITION

BLACK HOLE (BURACO NEGRO)
by Cinthia Marcelle and Tiago Mata Machado
Brazil | 5’ | 2008

SYNOPSIS: Two air currents create abstract shapes on rows of powder. A subtle and yet powerful interpretation of sex and maybe love.

ELEGY (ELEGIA)
by Bárbara Felice and Tamíris Spinelli
Brazil | 4’ | 2010

SYNOPSIS: A sensory experience of life and death.
THE INDISPENSABLE ONES (IMPRESCINDÍVEIS)
by Carlosmagno Rodrigues
Brazil | 5’ | 2003

SYNOPSIS: A father tries to subvert his son, who reacts and resists. Based on domestic images, the video deals with manipulation.

CLOUD (NUVEM)
by Avrore
Brazil | 2’ | 2012

SYNOPSIS: This oblivion is inevitable. And beautiful, in a way.

ACT OF LOVE (O AMOR EM UM ATO)
by Arthur Tuoto
Brazil | 7’ | 2012

SYNOPSIS: Through the appropriation of an amateur porn movie, the video reworks its images through reframing, distortion and other plastics processes.

BLOOD (SANGRE)
by Cris Ventura
Brazil | 3’ | 2009

SYNOPSIS: Mariana is 10 months old. She has a white dress and strawberries. For a woman to bleed does not mean to evanesce, this is necessary and vital. A female ferric and symbolic that is associated with fertility myths, virginity, life and death.
TROPIC OF CAPRICORN (TRÓPICO DE CAPRICÓRNIO)
by Kika Nicolela
Brazil | 30’ | 2005

SYNOPSIS: During one night four transvestites are brought in to a hotel room in downtown São Paulo. One by one, they take on the director’s game: to lie down on the bed and stay in the empty room with a camera.

UNPIXELATED: ONE
by Anders Weberg
Sweden | 7’ | 2009

SYNOPSIS: In Japanese porn, it is required by law that the male and female genitalia be blurred to obscure it from sight. The fogging of the sexually explicit area using pixelization or mosaic blurring is referred to as bokashi. In Unpixelated, a software is used on censored pornographic films in order to reconstruct the blurred area to its original state. Once the software is applied, a mosaic blur is then applied to the rest of the image leaving only the once censored pubic hair or genitalia to be viewed.

WANING
by Gina Haraszti
Canada | 8’ | 2011

SYNOPSIS: A man, a dead woman, a depleted apartment. Not your typical murder mystery, Waning takes on the visual and temporal deconstruction of a homicide in a single fractured frame.

Tettix Art Gallery participates in PhotoΒiennale / 22nd International Photography Meeting of Thessaloniki Museum of Photography, which, this year, has as main subject “LOGOS”, with a group photography exhibition under the title: “LOGOS: With or Without”, curated by Thanassis Raptis, photographer.

Production: Photography Center of Thessaloniki

Participants are: Inger Lise Rasmussen (DK), Olja Triaska Stefanovic (SK), Anders Weberg (SE), Magda Tothova (SK), Stavroula Dokou (EL), Argiris Liapopoulos (EL), Ismini Goula (EL).

PhotoΒiennale 2012/ 22nd International Photography Meeting
1st part: May-July 2012, 2nd part: September-December 2012
www.photobiennale.gr

Tettix Art Gallery (Tsimiski-3,Dialeti str tel. 2310243304)
Monday to Friday 18.00-21.00, Saturday 11.00-14.00
From 19/5 to 7/6/2012
Opening: Saturday 19/5, 20:00′

Stavroula Dokou (EL) Scarcity is an universal feeling connected with life, which all living things experience with different ways, in spiritual and emotional level. Although there is the paradox that life goes on despite the absence of important or no important things. For the understanding of these photographs we must come up against things almost invisible, but important, small details, which though acquire meaning, viewed through a prism of symbolism and allegory. The circumstances of the chosen photos are realistic, fact that enhances their meaning and builds a connecting string with the world we are living and an association with the concept of nostalgia, memory, oblivion, absence, trace, trail…

Ismini Goula (EL) The childhood is a patchwork of memories, imbued with a magical wistfulness also known as nostalgia. Our brain is recalling and interpreting its memories, its secrets, its good undervalued moments.We tend to forge childhood with a protective instinct, conforming it to our emotional needs and though childhood is not a neat construction it remains the most powerful influence in a person’s life.

Ismini Goula (1980,Thessaloniki/Greece) Jewelery design degree, seminars on direction, documentary and video art (IRIS) _duration 2 years
Member of the Photography Center Of Thessaloniki in which she studied photography for 4 years. At this moment she lives and work in Berlin.
She has participated in 15 group exhibitions in Greece and abroad.
www.ismini-goula.net

Argyris Liapopoulos (EL) The meanings that are formed and enclosed in a photograph (dense emotions, multilateral subtexts, aesthetic elements etc.) constitute the work’s identity. The very same piece of work can decompose and be composed again in written form. The meanings, aesthetic elements and emotions that radiate from the work are ”mixed up” and presented again in a different, unique way this time; by a Poet. These two pieces of work do not complement one another. On the contrary, each one of them looks like a double reflection of the same reality in two adjoining mirrors situated on different slants.

Argyris Liapopoulos (1959, Klidi Imathias/Greece) studied economics at the University of Thessaloniki. With the photo involved systematically since 1988. Developed a wide variety of action with reports, happenings. Photos and his work was done covers in books, a material book, published in magazines and tributes have been in the daily press and the media.
He took part in individual and group exhibitions in Greece and abroad. He is member of Photography Center of Thessaloniki. He lives and works in Thessaloniki.
www.liapopoulos.gr 

Olja Triaska Stefanovic (SK) The work “Warnings from the Stage” is a visual and sociological analysis of stages in cultural houses and TV studios. It defines the stage as a means of spreading political ideology and it sets the question whether there is possible to feel the symbol of the previous regime on an empty stage and in an empty auditorium. It considers the stage a space for simulation of social phenomena and reality. And finally, the author shows also her personal / intimate stage as the hypertrophy of her own memory.

Olja T. Stefanović (1978,Slovakia) lives and works in Bratislava. In 2007 she graduated from the Academy of Fine Arts and Design in Bratislava. In 2002 she obtained the UNESCO scholarship in Spain, where she won another contest a year later. She had several independent exhibitions. In 2010 she became a finalist of the 4th year of the 333 Prize, given by the Prague National gallery and CEZ Group. She works as an assistant at the Photography and New Media Department at the Academy of Fine Arts and Design in Bratislava.

Magda Tothova (SK) LENIN AND THE MAIDEN, 2003
Videoperformance, 2´34”, loop
In this video the artist borrows a fable-like narrative. The screen displays a degraded bust of Vladimir Lenin and a young female leans in from above to kiss him tenderly. The relationship implies the transference of power from old heroic dictator to post iron curtain youth, although it could also insinuate secret desires for the strong political leadership of the past.

Magda Tothova (1979, Bratislava/Slovakia) after graduating from Friedl Kubelka’s School for Artistic Photography, Vienna, Austria, in 2000, she achieved an MA in photography at the University of Applied Arts, Vienna, Austria, in 2005. Based on staged short video works, that in a humorous manner question societal constructions, she developed a fragmentary narrative language to tell her stories. Embedded in mixed media installations since 2005, Tóthova’s utopian composed structures of ordinary situations force her protagonists to come to momentous decisions. Her work has been shown at numerous venues world wide. www.magdatothova.com

Inger Lise Rasmussen (DK) Disjecta membra, is an expression from the Roman poet Horace and it is used to mean “poetic fragment”. In this context and as a title it has double meaning: the revocation of the words meaning during wartime. In 1999 Nato called the bombing of Beograd a campaign but for the Serbians it was aggression, the Serbians called the Balkan civil war crises, whereas others talked of genocide. Anyhow the result was the disintegration of Yugoslavia. Without words and their real meaning, dialogue and mutual understanding among people will disappear, destruction and hostility will take over and the world will fall apart. The images from the series After the campaign is a metaphor of the lack of logos.

Inger Lise Rasmussen (Denmark) was trained as a printmaker and her analogue photos are made as photogravures . Her work focuses on big metropolises and urbanism and she has had solo shows across all Europe. Her works are in many collections worldwide.
She was associate professor at Vestlandets Kunstakademi, Bergen, Norway, to-day she is art advisor at Højbjerg FotoGrafiskeVærksted, Aarhus, Denmark She has received many awards in her country.
Her publications include Tageskarten, 2000, Raw Space, 2005 and Brilliant City, 2009. www.ingerliserasmussen.dk

Anders Weberg (SE) “P2P Art – The Aesthetics of Ephemerality” (2008 – 2011) Video Art 09’06” loop
Anders Weberg is one such new P2P artist that has taken advantage of the file-sharing medium and used it to put his work in this ever expanding virtual global “gallery.” He considers P2P and the Net to be the new “streets of today,” and that his work is an expression of his love for “…street art, graffiti and performance art…” In this work the original artwork is first shared by the artist until one other user has downloaded it. The original file and all the material used to create it are deleted by the artist. There’s no original. After that the artwork will be available for as long as other users share it. This is the idea of the video. In fact the artist didn’t manage to send us the original videos, because they had been destroyed. He agreed to project some little excerpts, that are existing in the net, as a memory of the original videos.

Anders Weberg (1968, Sweden) is an artist working in video, sound, new media and installations and he is primarily concerned with identity. Specializing in digital technologies, he aims to mix genres and ways of expression to explore the potential of audio visual media. He is the founder and curator of the Stian [con]temporary art gallery and AIVA, Angelholm International Video Art Festival. Currently based in the small village Kölleröd in the south of Sweden and has exhibited at numerous art/film festivals, galleries, and museums internationally. www.weberg.se http://vimeo.com/weberg

Bataclán InterNacional scrutinizes —for the second time— cultural myths that labels pornography as an abject, filthy, unsubstantial, censurable behavior. Thus, it is intended, the amatory rite could be revalued through different artistic subject matters dealing with self-portrait, allegory, experimentation, social and political critical thinking, personal experience, crisis, etc.

In this second broadcast we have the pleasure to welcome as special guests Genres d’à Côté / Pink Screens Film Festival from Belgium and the International collective HEP (Human Emotion Project) with its exclusive version for Mexico, besides the works previously selected.

See you on Saturday April 28 at 17:30 hrs with our opening program and next dates (May 19, 26 and June 2) with the three next programes of the exhibition.

Opening Cocktail
April 28, 2012 at 17:30 hrs
Cine Erotika Cuidadela -Av. Balderas 108 Bis col. Centro-
in front of Ciudadela Market and two blocks of Balderas subway station
Entry fee to the cinema theatre: $30

Programa Inaugural / Opening programme
(28 abril / April 28th)

-Bataclán InterNacional- (Mexico)

- 1.1.3 – Miroslava Tovar / Miguel Angel García : 2’30 (Mexico)
- Polidérmico – Flor Liliana Vega / Enrique Molano : 1’50 (Colombia)
- Sedmiento – Rodrigo Luna : 4′ (Mexico)
- Dilapidaciones, Aurora y un Fantasma meticuloso en
exceso – Bárbara Lázara : 16′ (Mexico) -guest piece from 1º Bataclán InterNacional-
- Las Ávida y La Gran Pompa: 12′ (Mexico)
- Kit para el engrandecimiento y la mutación de la teta derecha – Me gusta (Italy-Mexico)
- Frottage – Alfredo Balanescu : 8′ (Spain-Mexico)

-HEPMX (Human Emotion Project)- (South Africa-Mexico)

- Unpixelated – Anders Weberg : 6’56 (Sweden)
- Still surging – Larry Caveney : 1’59 (USA)
- Behind closed doors – Nok&T : 7’38 (Holland)
- El mandil de mi mamá (Melodrama y Rebelión) – Katia Tirado : 6’14 (Mexico)
- Riot Kids – Lee Wells : 2’51 (USA)

-Pink Screens- (Belgium)

- Raped Carrot Porn – Urban Porn: 2′ (France)
- Wings of love – Luc Notsnad / Butt Spencer: 4′ (Germany)
- Dura Lex Sed Lex – Luc Notsnad : 2′ (Germany)
- Molinier is my revolution – Tom de Pekin : 6′ (France)
- My weird friend party – Lamathilde : 1′ (Canada)
- Super Queer – Sakino : 3’47 (Canada)

Programa 2
(19 mayo / May 19th)

-Bataclán InterNacional- (Mexico)

- Porno Abstracto – Adriana Minolti : 1’19 (Argentina)
- Dance to the fertility – Fernando G. Acosta : 1’43 (Mexico)
- Comete la – Luis Fernando Moreno Garrido : 9’55 (Mexico)
(Mexico)
- Ser-persona – Diego Vázcar / Isabel Casas 5’22 (Mexico) -guest piece from 1º Bataclán InterNacional-
- Serie vulválica para escotes largos – EnsamBLA2PoetaR : 20′ (Mexico)
- Lobotomy – Alejandro Insane : 7’28 (Mexico)

-HEP MX- (Human Emotion Project)- (South Africa-Mexico)

- My little ponygirl – Ulf Kristiansen / Michael Chang : 2’32 (Norway- Denmark)
- Selfbound – Niclas Hallberg : 5’09 (Sweden)
- Boucle de Narcisse – Noemi Veberic Levonik : 2’14 (Slovenia)
- La boda en el volcán – Hortensia Ramírez : 4’46 (Mexico)
- When I grow up – Neil Howe : 3’39 (Australia)

-Pink Screens- (Belgium)

- Anti-reproductive mating ritual – Vebjørn Guttormsgaard – Møllberg : 6′ (Norway)
- Polet – Kevin Calero / Andrew Ly : 4′ (Canada)
- In the closet – Tonje Gjevon & The Hungry Hearts : 4′ (Norway)

Programa 3
(26 mayo / May 26th)

-Bataclán InterNacional- (Mexico)

- Amén – Colectivo Madre Araña : 1’40 (Mexico)
- Juegos pasajeros – Rodolfo Solis : 5’04 (Mexico)
- Pornotiza – Miroslava Tovar / Miguel Angel García : 4’57 (Mexico)
- Objetos – Eduardo Miranda : 8′ (Mexico) -guest piece from 1º Bataclán InterNacional-
- AA : Antes y Ahora – Memois985 : 15′ (Mexico)
- Remi Jackson : 25′ (Mexico)

-HEP MX- (South Africa-Mexico)

- Dream images – Joas Sebastian Nebe : 3’50 (Germany)
- Pains of substance – Willian Esdale : 3’24 (UK)
- Counter attack – Danny Germansen : 1’50 (Denmark)
- Celestial killer – Christian Zanotto 5′ (Italy-Holland)
- Blue voyager – Alberto Guerreiro 3′ (Portugal)
- In flames – Víctor Martínez Díaz 2’46 (Mexico)

-Pink Screens- (Belgium)

- Spring – Hong Khaou :12′ (United Kingdom)
- For a relationship – Jim Verbug : 4′ (Canada)

Programa 4
(2 junio / June 2nd)

-Bataclán InterNacional- (Mexico)

- Tríptico (autorretrato- homenaje a Marilyn y a Fred) Noemí Ramírez : 1’33 (México)
- Sex Symbol Candidato – Conde Reslus : 3’35 (México)
- Qué hay en la caja – Ulysses Castellanos : 4’22 (Canadá)
- Habaneros – Juriji / John John : 4’13 (Belgium) -guest piece from 1º Bataclán InterNacional-
- Feminismo closetero – Juan.A : 10′ (México)
- Las Ávida y la Gran Pompa : 12′ (México)
- Eroeyaculación sonora – Sofia Vital, Arturo Silveria y Said Pérez Amelco : 6’52 (México)

-HEP MX- (South Africa-Mexico)

- In the closet – The hungry hearts : 3’06 (Norway)
- Wet drawn woman – Michael Douglas Hawk : 6’14 (Germany)
- Im(pull)se – Colby Jennings : 3’03 (USA)
- Barroland(escape) – Icetrip 4′ (Mexico)
- Metamorphosis – Nikoo Tarkani 10’17 (Iran)
- Urgent absence – Stina Perhdotter 3’06 (Sweden)

-Pink Screens- (Belgium)

- Ma bite jour et nuit – Mickael Gloro 15′ (Belgium)

Intervención-Instalación / Intervention-Intallation-art

- Pornosueño- Clinamen Arte-Colectivo (Mexico)
- Chocolate – Carlos Ximénez (Mexico)
- Cloruro de etilo – Erick R. Hernández (Mexico)
- Glory hole – Gabriel López (Mexico)

_______________________________________________________

Curadurías / Curatorships

Bataclán InterNacional : Elías Luna / Alfredo Balanescu
HEPMX (Human Emotion Project) : Alison Williams / Icetrip Estévez / Víctor Martínez
Pink Screens : Chris Miller / Genre d’à Côté – Pink Screens Film Festival staff

Jurado de premiación Bataclán/ Bataclan award panel of judges

Icetrip Estévez / Víctor Martínez

http://www.aivafestival.com
http://www.facebook.com/aivafestival
AIVA – April 26-28.

Video Containers on the main square.
Open: Thurs-Fri 10-18 Sat 10-15

Official Opening Thursday, April 26th 16:00 main square.

Video QR Codes in
Ängelholm / Klippan / Helsingborg / Svalöv / Åstorp / Båstad / Örkelljunga / Landskrona / Höganäs / Bjuv

The open call selection and QR videos can also be seen at the city library, torgrummet.
Time: Thurs-Fri. 10-18, Sat 10-15

Drive in viewing, 60 SQ.M. Screen
Take your car to the parking lot and watch The Exquisite Corpse Video Project. The sound will be sent out thru FM frequency, so you can use your smartphone or a radio, there will be radio’s on-site also for walking in visitors without car.

Date: Fri, April 27 kl.21
Location: Ängelholm, Parkskolans parking lot.

Video Portraits – Workshop
With: Stina Pehrsdotter and Niclas Hallberg
Time: Sat 28 april 12 am-14am
Location: Ängelholm, City Library, Hörsalen
Price: 120kr (cash at the entrance)

Aiva- Best Off Video Containers in
Landskrona
Höganäs
Båstad

Curators
Rob Garrett – NEW ZEALAND – AUSTRALIA / Gye-joong Kim – ASIA / Paul Young – NORTH AMERICA / Kika Nicolela – SOUTH AMERICA / Kisito Assangni – SOUTH AMERICA / Gabriel Soucheyre – EUROPE
Main Curator: Anders Weberg
ANGELHOLM INTERNATIONAL VIDEO ART FESTIVAL AIVA

The first AIVA 2012, Angelholm International Video Art Festival will take place in April 2012 and the main purpose of the festival is the free presentation, promotion and development of international video art and to create a new, alternative, peripheral meeting point for emerging and established video and media artists from all over the world. The festival will run for three days, from April 26th – 28th.

We hope to bring the Northwestern region of Scania in Sweden clearer on the map, both nationally and internationally, as a vivid scene of video art.
It is supposed to be a recurring event in addition to art offers cultural meetings that attract conversation about video art and its position in contemporary art.

In addition to screenings & installations of video art and performances, the festival invites international guest curators to curate programs of video art from North America, South America, Europe, Asia, Africa and Australia. These programs will be exhibited as projections in containers placed in the main square.

The festival is organized by the Municipality of Angelholm, Sweden

ÄNGELHOLM

Ängelholm is a locality and the seat of Ängelholm Municipality in Skåne County, Sweden with 38.000 inhabitants. The region Skåne (Scania) is a landscape of contrasts, which offers great diversity within easy traveling distance. The countryside is varied – from the wide-open plains, rolling fields of rapeseed, and 400 km of coast lined with white sandy beaches, to the deep forests of the north east and the steep cliff faces of the north west

PAPAY GYRO NIGHTS IN HONG KONG

26-29.04 + 6.05.2012

Experimental Film and Video Art programme from PAPAY GYRO NIGHTS 2012 Art Festival will be presented in HONG KONG
Papay Gyro Nights Art Festival is taking place on the island Papa Westray ( aka Papay ) in Orkney, Scotland. The Festival is the celebration of an ancient traditions, folklore and landscape: past and present of the island, trought new experimental developments in film, video art, music and architecture.

for more information about Papa Westray (Papay) visit:
www.papawestray.org

PROGRAMME
PAPAY GYRO NIGHTS ART FESTIVAL curated by Ivanov + Chan (Orkney),
NOVA (Northern Video Art Network) selection curated by Juha van Ingen (Finland), Kristín Scheving (Iceland) and Niclas Hallberg (Sweden)

26.04:
8PM-11PM @ SECRET LOCATION in SHAM SHUI PO :
SITE-SPECIFIC CINEMA / VIDEO THEATRE:
Filippos Tsitsopoulos. THE MADRIGAL OF THE EXPLOSION OF THE WISE WHALE and other works
by invitation only. for bookings and enquiries email: ubahob@artserve.net

27.04:
8PM-11PM @ CATTLE DEPOT ARTIST VILLAGE :
( 63 Ma Tau Kok Road, To Kwa Wan, Kowloon )
OPENING :
talk about Papay Gyro Nights Art Fesival by Ivanov and Chan
EXPERIMENTAL FILM AND VIDEO ART PROGRAMME:
Papay Gyro Nights and NOVA selection

28.04:
2PM-8PM @ CATTLE DEPOT ARTIST VILLAGE :
( 63 Ma Tau Kok Road, To Kwa Wan, Kowloon )
EXPERIMENTAL FILM AND VIDEO ART PROGRAMME:
Papay Gyro Nights and NOVA selection
7PM FILM : Bertrand Mandico. BORO IN THE BOX

29.04:
2PM-4PM @ CATTLE DEPOT ARTIST VILLAGE :
( 63 Ma Tau Kok Road, To Kwa Wan, Kowloon )
EXPERIMENTAL FILM AND VIDEO ART PROGRAMME:
Papay Gyro Nights and NOVA selection

06.05:
7PM FILM @ HONG KONG VISUAL ARTS CENTRE :
( 7A Kennedy Road, Central, Hong Kong )
Yulene Olaizola. ARTIFICIAL PARADISES

ARTISTS:

Bertrand Mandico (France)
BORO IN THE BOX
40min / b&w / 2011

Yulene Olaizola (Mexico)
ARTIFICIAL PARADISES
83 min / colour / 2011

Filippos Tsitsopoulos (Spain)
THE MADRIGAL OF THE EXPLOSION OF THE WISE WHALE
4 screen video installation / 2010

David Kew (UK)
SURVEY01
6min / 2012 / Music: James Hesford

Aunstrup & Hafslund (Denmark)
FIG. 1
video installation / 2011

Alessandro Amaducci (Italy)
NOT WITH A BANG
7min / 2007

Flo Kaufmann + Zimoun (Switzerland)
SWARF, MAGNETIC FIELDS, MICROPHONES, SOUND SYSTEM
video installation / 2010

Leyla Rodriguez & Cristian Straub (Germany)
ISLE OF LOX: THE FRUITS ELECTRIC
17min / 2010

Makino Takashi (Japan)
STILL IN COSMOS
18min / 2009 / Music:Jim O’Rourke

Marianna Mørkøre & Rannvá Káradóttir (Faeroe)
MAGMA
5.19min / super8 / 2010 / Music: Jens L. Thomesn

Mie Olise (Denmark)
PLAYING SHIP
video performance / 2009 – 2010

Valentina Ferrandes (Italy)
THE OYSTER EFFECT
13min / 2010

NOVA (Northern Video Art Network)

Gun Holmström (Finland)
NORDIC MOSH
3min / 2011 / Music: John Blue

Sini Pelkki (Finland)
PASSAGE
48sec / 2009

Erkka Nissinen (Finland)
RIGID REGIME
17min / 2009

Þórður Grímsson (Iceland)
WL/DW – Portrait Anna
1min 31sec / 2010

Kristín Scheving (Iceland)
GARNAFLÆKJA
4min / 2008

Dodda Maggý (Iceland)
HITRA
3min loop / video installation / 2008

Una Lorenzen (Iceland)
PRANAM
3min 21sec / 2010 / Music: Giacinto Ccelsi (1905-1988)

Magnús Árnason (Iceland)
IRRITATION
video installation / 2010

Elísabet Brynhildardóttir & Selma Hreggviðsdóttir (Iceland)
TANKUR
4min / 2009

Gustaf Broms (Sweden)
CYANOHEAD
54sec / 2010

Petra Lindholm (Sweden)
NO-END
4min 50sec / 2010

Stina Pehrsdotter (Sweden)
URGING ABSENCE
3min / 2010

Anders Weberg (Sweden)
DUALISM
2min 15sec / 2010

Screening Absent II

– franck ancel, amandine andré,  nathalie blanchard,  benoit cancoin,  fabien delisle,  florent draux,  brice kartmann,  marilo, marc perrin, françois santerre,  Anders Weberg —————————-
———————————————————- LE 7 AVRIL A TOURS ( Rexy- St Pierre des Corps) —————————————– la vie manifeste —
— à partir de 19h, concerts, lectures, projections ———–
———————– + d’infos contact@laviemanifeste.com — http://laviemanifeste.com/

The following videos is curated by Adriane Little for the exhibition at Gallery Temenos.
All of them filmed with a mobile device.

Nothingness / Three
Remorselessness /
Misconduct /
Emptiness /
Meaninglessness /
Silent Treatment /
Impressions /
Window of Desire /
Impressions /

http://gallerytemenos.com/

About the gallery

The concept of an online gallery is outside and beyond the boundaries of geography, budget and travel.  This site is not meant to replace the experience of engaging the physicality of artwork, but instead can continue to develop into a site of exchange.  As the internet is inherently capable of reaching a larger and more varied audience, viewer, witness, the possibilities for exchange are endless.  Ideas are carried away with the viewer and the discussion expands.  Over time, a site such as this serves as an archive of thought.  The intent for this site is to highlight one artist or collective per month and in the fall of each year, one group of artists working with similar concepts.

By origin, the word Temenos is used to mark sacred space.  This space is one that encourages or creates the safety to reveal be it to others or ourselves.  In this case, a space that exists between the artist and their artwork or between the artwork and the observer or witness.  It is a space that gathers the visually expressed internal self be its origins as a cultural, societal or the visual refinement of personal experience or thought.

What this site is not is a commercial site or claim to represent the artists found here.  If this is where your curiosity leads you, please contact the artist directly for more information.

Adriane Little is an artist, curator and educator living and working in Kalamazoo MI. She is Assistant Professor of Photography and Intermedia at Western Michigan University’s Gwen Frostic School of Art.

Earth Hour 31 mars
Final och vernissage för Pocket Cinema 

Under Earth Hour 31 mars släcker vi inte bara ner hela konsthallen utan firar också med final i PocketCinema, Bonniers Konsthalls tävling för verk skapade av och för mobiltelefonen. Bland långt över 100 filmer har 12 finalister valts ut. Vem som till slut vinner avslöjas under kvällen. Kom och heja på din favorit och se nyskapande konst i fickformat!

Program Earth Hour 31 mars
Fri entré hela kvällen 17-22.
Kl. 20 Nedsläckningsvisning av Resan till månen
Kl. 20.30 Prisutdelning i PocketCinema
Kl. 21.30 Konsthallen tänds
Hela kvällen: Bigert & Bergströms fotbojor i form av koldioxid-molekyler utanför entrén.

Se alla filmer här: http://www.bonnierskonsthall.se/pocketcinema/index.html 

Cyclic~Tone is a collaborative online magazine based on the idea to juxtapose writers with visual artists. The latest issue has the theme Space and include the work Conveyors by myself and Robert Willim.

Conveyors is combined with an ethnographic text on the traffic hub Knutpunkten in Helsingborg, southern Sweden written by Leila Kaas.

The Conveyors project with full statement can be seen at http://conveyors.se/

And the videos here.

I’ve uploaded one of my films made with a mobile phone on a contest page. If you have some time I would appreciate if you could rate it.
http://www.bonnierskonsthall.se/pocketcinema/video.html?id=YuKFjxs3iwE-tJQNHdHqPA

thanks

Anders