My net project “P2P ART – The aesthetics of ephemerality” plus the films “JE SUIS PÈRE ET MON PÈRE EST PÈRE ” and “Expose Yourself“ will be exhibited at FILE RIO 2012 as part of the FILE Media Art category.
The event will take place at the Art Galery of Oi Futuro – Flamengo in Rio de Janeiro city, Brazil. The festival will be holding from March 12th- to April 8th- 2012.
The Exquisite Corpse Video project in which I participates will be in a month long exhibition in London at the Braziliality’s 3rd anniversary at Forman’s Smokehouse Gallery & Hackney Wicked Art Festival 2011
Exhibition: 29th July – 30th August 2011
At Forman’s smokehouse Gallery
Address: Stour Road – Fish Island – Hackney Wick – E3 2Nt London
CITY BREATH. 2009. 01:07:11. DVD. Experimental film selection from South Africa.
Curator / director: Kai Lossgott.
Filmmakers / artists / choreographers / poets: Terry Westby-Nunn, Louise Coetzer, Lolette Smith, Colleen Alborough, João Oreccia, Khanyisile Mbongwa, James Tayler, Niklas Zimmer, Mandilakhe Yengo, Alude Mahali, Ananda Fuchs, Tanya van Schalkwyk, Mduduzi Nyembe, Bandile Gumbi, Maia Grotepass, Mark Wilby, Fabian Oliver Wargau, Nileru, Jeanette Ginslov, Erica Luttich, Anni Snyman, Koeka Stander, Rat Western, Maaike Bakker, Sean Buch, Emma Jane Laurence, Anders Weberg, Robert Willim
As screened in Cape Town, Johannesburg, London, Berlin, Edinburgh, Grahamstown, Vancouver, and Marseille.
Exited to be a part of a Danger Art Rage Erotic | Video Art International | 2010 – 2011 new project curated by Alberto Guerreiro.
The first exhibition will be October 21-22 at the IN and OUT Festival, Centrum Sztuki Współczesnej Łaźnia, Gdansk in Poland.
I participates with a video called “Repressed”. I don’t have it on line anywhere but here is a still.
My film “Undisclosed Beauty” selected for the Optica exhibition in Cordoba, Spain, September 20-25.
Adress:
Filmoteca de Andalucía
Medina y Corella, 5
Córdoba, Spain
”No longer content to theorize the ends of the discipline and possibilities of new media, new locations, or new methods of asking old questions, those associated with Ethnographic Terminalia are working in capacity to develop generative ethnographies that do not subordinate the sensorium to the expository and theoretical text or monograph.
Ethnographic Terminalia is an initiative designed to celebrate borders without necessarily exalting them. It is meant to be a playful engagement with reflexivity and positionality; it seeks to ask what lies beyond and what lies within disciplinary territories. As an initiative to bring contemporary art practices in closer proximity to forms of anthropological inquiry, Ethnographic Terminalia is primarily concerned with creating opportunities for the exhibition of non-traditional projects. The terminus is the end, the boundary, and the border; of course the terminus is also a beginning as well as its own place, its own site of experience and encounter.”
My film from 2006 “For Sore Eyes” selected for the exhibition Pixelerations.
PIXILERATIONS [v.7]
A showcase of digital media and interactive performance
part of the FirstWorks Festival.
September 30-October 10, 2010 in Providence, Rhode Island
PIXILERATIONS [v.7] is a new media showcase in Providence, Rhode Island that investigates the state of new media arts through installations, concert performances and film/video screenings. It is part of the larger FirstWorks Festival (www.first-works.org), a multidimensional performing arts festival held in Providence each fall. Pixilerations is produced by FirstWorks in collaboration with the Rhode Island School of Design, Brown University, and the City of Providence’s Department of Art, Culture + Tourism.
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