My net project “P2P ART – The aesthetics of ephemerality” plus the films “JE SUIS PÈRE ET MON PÈRE EST PÈRE ” and “Expose Yourself“ will be exhibited at FILE RIO 2012 as part of the FILE Media Art category.
The event will take place at the Art Galery of Oi Futuro – Flamengo in Rio de Janeiro city, Brazil. The festival will be holding from March 12th- to April 8th- 2012.
‘
2011/12/13
by
Anders Weberg
Screening my film “Dualism” at the third Madatac in Madrid December 12-18.
http://www.cinetecamadrid.com/
Link to program: Madatac, Muestra Abierta de Arte Audiovisual Contemporáneo
Absent VI
2011/11/29
Video and Sound by Anders Weberg
01:00, Loop
Filmed with the iPad 2.
Galleria Velan Centro d’Arte Contemporanea Via Saluzzo 64, Torino
My film JE SUIS PÉRE ET MON PÉRE EST PÉRE is selected for the exhibition Video Dia Loghi
HEP – LOOP INTERNATIONAL 2011 Velan Centro Arte Contemporanea Torino a cura di / curated by Alison Williams
Ektoras Binikos “time before and time after” Greece/USA 5:08 – 2009 Germán Britch “us” Argentina 3:15 – 2011 Larry Caveney “four dancers” USA 2:56 – 2010 Vienne Chan “one more cliché for performance art” China 1:13 – 2009 Glenn Church “I is another” USA 3:50 – 2010 Michael Douglas Hawk “bubble girl” Germany 2:14 – 2008 Danny Germansen “beaten” Denmark 1:50 – 2011 Niclas Hallberg & Stina Pehrsdotter “inner departure” Sweden 3:40 – 2008 Ulf Kristiansen “the care bears” Norway 3:01 – 2010 Bill Millett “Ephemeral Panacea” UK 5:49 – 2008 VerenaStenkePagnes&AndreaPagnes“8mirrorshades” Germany/Italy4:30-2011 Uma Ray “padapadma the lotus feet”India 3:00 – 2009 Anders Weberg “pere” Sweden 2:09 – 2010
The 7th film within in my project P2P Art is finished and will be deleted this Friday 2011/11/11 11:11pm.
Released films:
101010
Duration: 10 hours 10 minutes 10 seconds and 10 frames
released and deleted 2010/10/10. 10:10 am.
090909
Duration: 9 hours 9 minues 9 seconds and 9 frames
released and deleted 2009/09/9. 09:09 am.
080808
Duration: 8hours8minutes8seconds
released and deleted 2008/08/08.
Emphasis
Duration: 60minutes
released and deleted 2008/03/16.
Transient
Duration: 45minutes
released and deleted 2007/09/15.
Filter
Duration: 73minutes
released and deleted 2006/09/15.
Project url: www.p2p-art.com
P2P Art – The aesthetics of ephemerality.”
Art made for – and only available on – the peer to peer networks.
The original artwork is first shared by the artist until one other user has downloaded it.
After that the artwork will be available for as long as other users share it.
The original file and all the material used to create it are deleted by the artist.
”There’s no original”
A project from Swedish artist Anders Weberg started in 2006.
Feel free to don’t or download the films, watch it and share it for as long as you like. Or delete it immediately. The aesthetics of ephemerality.
My film “Misconduct” will be screened at CologneOFF 2011 Mexico
A collaboration with
ExTeresa Arte Actual Mexico City &
Universidad Autónoma Metropolitana Xochimilco Mexico City
Circuito Electrovisiones
10-18 November 2011
Full program. PDF
Absent V
2011/10/25
Video and Sound by Anders Weberg
01:00, Loop
Filmed with a mobile device.
I finished a new film a couple of days ago.
Emptiness
Filmed with a mobile phone (Nokia N8)
2011/10/03
03:00
Video and Sound by Anders Weberg
screening chernobyl 25
http://www.koki-freiburg.de/detail.php?fnr=3843
Tuesday, 20 Sept 2011
19:30
Kommunales Kino Freiburg
Alter Wiehre Bahnhof
Urachstr. 40
79102 Freiburg im Breisgau
Presented by Klaus W. Eisenlohr. The film program comprises films representing visions of the abandoned city of Pripyat by artists and documentary filmmakers, and imaginations of futures under the influence of “peaceful nuclear energy”.
Gair Dunlop confronts historical material about the glorious future that Dounreay Atomic Research Establishment would provide with his own camera footage, shot after the shut-down of the research power plant (Atom Town: Life After Technology). Now a ruin that still radiates, Dounreay does not attract nuclear tourists, unlike Chernobyl, which has become a popular destinations for photographers and other contemporary “explorers”. Julio Soto presents his imagination of cities after a climate or nuclear catastrophe in virtual images (Invisible Cities) just before he went to Pripyat himself in order to make a documentary about past and present inhabitants of the forbidden zone (Radiophobia). Vanessa Renwick in glorious pictures celebrates the good-bye to Trojan, a power-plant in the US that may be the equivalent to Brokdorf in Germany concerning the long-lasting local protests, but which was never going on-grid (Portrait #2: Trojan). And Thomas Bartels reflects in poetic pictures of 16mm film the mood of the year 1986, now almost a documentary of the mood in Germany under the influence of the clouds of Chernobyl (Zwischenlandung).
Chernobyl may have become the symbol for the crumbled future visions of modern prosperity made possible by peaceful nuclear energy, and for the apocalyptic imaginations of a modern catastrophe. However, it has also triggered an array of aspirations for adventures. Maybe less so the actual melted and broken reactor, shielded under a crumbling “sarcophagus” but the ghost town Pripyat, once a young modernist city, has become a collective iconographic symbol for the uncanny modernity that seems to attract people in many ways.
press links:
http://www.koki-freiburg.de/
http://www.directorslounge.net
http://directorsloungenews.tumblr.com/post/10323578746/chernobyl25
playlist:
|
 Hanne Adam + Thierry Buysse, Chernobyl & Pripyat with experimental music, 2009, 10:33 min, DE/BE
|
 Klaus W. Eisenlohr, Phantasma Pripyat, 2011, 12:36 min, DE
|
 Gair Dunlop, Atom Town: Life After Technology, 2011, 22:07, UK
|
 Andrea Slavik, Nuclear Energy, 2011, 06:47, US
|
 Vanessa Renwick, Portrait #2: Trojan, 2006, 05:14, US
|
 Anders Weberg, Peaceful Atom, 2009, 02:19, SWE
|
 Sarah Breen Lovett, Immaterial Meshup, 2008, 03:40, AUS
|
 Nicky Larkin, Pripyat, 2007, 16:00, NE
|
 Julio Soto, Invisible Cities, 2003, 06:17, ESP
|
 Thomas Bartels, Zwischenlandung, 1986, 13:20, DE
|
 Julio Soto, Radiophobia, 2005, 54:00, ESP |
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