All posts tagged konstvideo

New video filmed with the iPad. Absent VI

Absent VI
2011/11/29
Video and Sound by Anders Weberg
01:00, Loop

Filmed with the iPad 2.

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Exhibition in Torino, Italy.

 

Galleria Velan Centro d’Arte Contemporanea Via Saluzzo 64, Torino

My film JE SUIS PÉRE ET MON PÉRE EST PÉRE is selected for the exhibition Video Dia Loghi

HEP – LOOP INTERNATIONAL 2011 Velan Centro Arte Contemporanea Torino a cura di / curated by Alison Williams

Ektoras Binikos “time before and time after” Greece/USA 5:08 – 2009 Germán Britch “us” Argentina 3:15 – 2011 Larry Caveney “four dancers” USA 2:56 – 2010 Vienne Chan “one more cliché for performance art” China 1:13 – 2009 Glenn Church “I is another” USA 3:50 – 2010 Michael Douglas Hawk “bubble girl” Germany 2:14 – 2008 Danny Germansen “beaten” Denmark 1:50 – 2011 Niclas Hallberg & Stina Pehrsdotter “inner departure” Sweden 3:40 – 2008 Ulf Kristiansen “the care bears” Norway 3:01 – 2010 Bill Millett “Ephemeral Panacea” UK 5:49 – 2008 VerenaStenkePagnes&AndreaPagnes“8mirrorshades” Germany/Italy4:30-2011 Uma Ray “padapadma the lotus feet”India 3:00 – 2009 Anders Weberg “pere” Sweden 2:09 – 2010

 

 

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The 11 hour 11 minute 11 second and 11 frames long film is finished and ready to be deleted.

The 7th film within in my project P2P Art is finished and will be deleted this Friday 2011/11/11 11:11pm.

Released films:

101010
Duration: 10 hours 10 minutes 10 seconds and 10 frames
released and deleted 2010/10/10. 10:10 am.

090909
Duration: 9 hours 9 minues 9 seconds and 9 frames
released and deleted 2009/09/9. 09:09 am.

080808
Duration: 8hours8minutes8seconds 
released and deleted 2008/08/08.

Emphasis
Duration: 60minutes 
released and deleted 2008/03/16.

Transient
Duration: 45minutes
released and deleted 2007/09/15.

Filter
Duration: 73minutes
released and deleted 2006/09/15.

Project url: www.p2p-art.com


P2P Art – The aesthetics of ephemerality.”

Art made for – and only available on – the peer to peer networks.
The original artwork is first shared by the artist until one other user has downloaded it.
After that the artwork will be available for as long as other users share it.

The original file and all the material used to create it are deleted by the artist.

”There’s no original”
A project from Swedish artist Anders Weberg started in 2006.

Feel free to don’t or download the films, watch it and share it for as long as you like. Or delete it immediately. The aesthetics of ephemerality.

 

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Screening in Mexico City November 10-18.

My film “Misconduct” will be screened at CologneOFF 2011 Mexico
A collaboration with
ExTeresa Arte Actual Mexico City &
Universidad Autónoma Metropolitana Xochimilco Mexico City
Circuito Electrovisiones
10-18 November 2011

Full program. PDF

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New film. Absent V.


Absent V
2011/10/25
Video and Sound by Anders Weberg
01:00, Loop

Filmed with a mobile device.

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New film. Emptiness. Filmed with a mobile phone.

I finished a new film a couple of days ago.

Emptiness
Filmed with a mobile phone (Nokia N8)
2011/10/03
03:00

Video and Sound by Anders Weberg

 

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Screening Peaceful Atom in Kino Freiburg, Germany. Chernobyl 25.

pripyat — the uncanny of modernity

screening chernobyl 25

http://www.koki-freiburg.de/detail.php?fnr=3843
Tuesday, 20 Sept 2011
19:30
Kommunales Kino Freiburg
Alter Wiehre Bahnhof
Urachstr. 40
79102 Freiburg im Breisgau

pripyat — the uncanny of modernity

Presented by Klaus W. Eisenlohr. The film program comprises films representing visions of the abandoned city of Pripyat by artists and documentary filmmakers, and imaginations of futures under the influence of “peaceful nuclear energy”.
Gair Dunlop confronts historical material about the glorious future that Dounreay Atomic Research Establishment would provide with his own camera footage, shot after the shut-down of the research power plant (Atom Town: Life After Technology). Now a ruin that still radiates, Dounreay does not attract nuclear tourists, unlike Chernobyl, which has become a popular destinations for photographers and other contemporary “explorers”. Julio Soto presents his imagination of cities after a climate or nuclear catastrophe in virtual images (Invisible Cities) just before he went to Pripyat himself in order to make a documentary about past and present inhabitants of the forbidden zone (Radiophobia). Vanessa Renwick in glorious pictures celebrates the good-bye to Trojan, a power-plant in the US that may be the equivalent to Brokdorf in Germany concerning the long-lasting local protests, but which was never going on-grid (Portrait #2: Trojan). And Thomas Bartels reflects in poetic pictures of 16mm film the mood of the year 1986, now almost a documentary of the mood in Germany under the influence of the clouds of Chernobyl (Zwischenlandung).

Chernobyl may have become the symbol for the crumbled future visions of modern prosperity made possible by peaceful nuclear energy, and for the apocalyptic imaginations of a modern catastrophe. However, it has also triggered an array of aspirations for adventures. Maybe less so the actual melted and broken reactor, shielded under a crumbling “sarcophagus” but the ghost town Pripyat, once a young modernist city, has become a collective iconographic symbol for the uncanny modernity that seems to attract people in many ways.

press links:
http://www.koki-freiburg.de/
http://www.directorslounge.net
http://directorsloungenews.tumblr.com/post/10323578746/chernobyl25

playlist:

video still by the artist
Hanne Adam + Thierry Buysse,
Chernobyl & Pripyat
with experimental music, 2009, 10:33 min, DE/BE

video still by the artist
Klaus W. Eisenlohr,
Phantasma Pripyat, 2011,
12:36 min, DE

video still by the artist
Gair Dunlop,
Atom Town: Life After Technology, 2011,
22:07, UK

video still by the artist
Andrea Slavik,
Nuclear Energy, 2011, 06:47, US

video still by the artist
Vanessa Renwick,
Portrait #2: Trojan, 2006, 05:14, US

video still by artist
Anders Weberg,
Peaceful Atom, 2009, 02:19, SWE

video still by the artist
Sarah Breen Lovett,
Immaterial Meshup, 2008, 03:40, AUS

video still by the artist
Nicky Larkin,
Pripyat, 2007, 16:00, NE

video still by the artist
Julio Soto,
Invisible Cities, 2003, 06:17, ESP

video still by the artist
Thomas Bartels,
Zwischenlandung, 1986, 13:20, DE

video still by the artist
Julio Soto,
Radiophobia, 2005, 54:00, ESP
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Nothingness episode two. Made with the iPad 2.

Nothingness episode Two
Filmed with the iPad 2.
2011/09/16
01:31

by Anders Weberg

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Screening online/offline. In Control – a videoart memoir.

In Control – a videoart memoir

A special curated program by the isfth foundation for Don’t you have docs? art platform, Australia.

One of the goals of the isfth foundation is to show the diversity and quality that can be found in the field of audio visual art. Over the last six years we have collected and screened every imaginable genre, from emerging to established artists alike and presented these to an international audience.

Within this unconventional videoart archive we occasionally come across a truly inspiring work – one that stands out because of its original concept or visual excellence. Although art is arguably a subjective field, the artist is here undeniably in control, from concept till the visualization of this concept.

Albeit this program is seemingly an eclectic collection, these films befit exactly the foundations goals.

Screening at “Don’t you have docs?” September 2011

Don’t You Have Docs? is a monthly curated program of short non-fiction films. Screening online on mubi.com Garage and at various locations in Australia, the program promotes the best short docs from all over the world.
www.dontyouhavedocs.com

Screening at “LOOP” 19 September 2011

Loop presents an ever-changing roster of screen works, experimental music, audio-visual performance, and forums. Please check the home page for the weekly and upcoming schedule. We invite individuals and collectives to submit proposals.

23 Meyers Place
Melbourne
Australia
www.looponline.com.au

Dalibor BaricThe mind from nowhere
The title comes after replacing one letter from J.G.Ballard’s novel “wind from nowhere” (apocalyptic hurricane force wind). Also I-Ching Hexagram 61: The Inner Truth “The wind blows over the lake and stirs the surface of the water. Thus visible effects of the invisible manifest themselves”. Here is an (invisible) mind which manifests itself subjectively as a stream of consciousness (or as a film).

Narrative leads to the dead-end. Film is a collage, built upon various movie clichés; behind all the cut-ups, it vaguely suggesting the storyline of woman who is haunted by thoughts about her late husband/lover dead soldier; a seance and of diabolical, manipulative medium. Melodrama is interwoven with images of violence, war and mass destruction creating surreal and an absurd atmosphere (although it could be happening simultaneously but at different places).

The Mind From Nowhere

Helena BulajaMechanical figures
Collection of short films inspired by the scientist Nikola Tesla – a journey through the creative process from idea to ….

Mechanical Figures

Claudio CastelliGiocattoli Futuristi
The storytelling [in Futuristic Toys] aims to be a reprise of a certain futuristic representation, a grotesque tale of the lack of psychology in this type of dramatic scenes, and which would spark a sense of loss and amazement in the viewer, still remaining in a dreamlike vision.

Giocattoli Futuristi

Alfredo HisaNearby
In our hectic urban routine, the optimism of squeezing everything into a single day clashes directly with our inevitable delays. On the streets, individuals and its means of transportation move frantically. On duty, they always have predetermined destinies.

Despite our contemporary problems with time restrictions, we can still nurture our imagination on a daily basis. Ordinary places can be a lot of fun. This empty gap between our train of thoughts is where I get my inspiration from. The tiny slit we don’t care about is a portal to a universe where things can be awaken.

Nearby

Lemeh42 – Study on human form and humanity #01
This work has been first shot as a video performance on a theater stage, then it has been edited digitally. The title in fact refers to both the two phases of the work. As a recorded performance this work reflects on the human form. We have created a coreography based on the movements and positions of a sleeping body.

Study on Human Form and Humanity #01

Adèle MiossecBeauté
Réalisation stop motion.

Beauté

Jean-Gabriel PériotLes Barbares
We are scum! We are barbarians!

Les Barbares

Fabio ScacchioliDead SEEquences
“dead SEEquences” is a video composed of 3770 frames. Working frames by frames, we find that nothing happens inside each single image, but all pass between the frames, in the invisible gap that separe a frame by others. The film is here, but there isn”t something to see, the most important remain invisible and uncertain. There is no truth to discover. The truth is always elsewhere.
This is a study about the vanishing of an image. It”s the image of a naked body, the most tangible and real thing for a human being. Not a body, but the image of a body. In this gap operate the principle of disappearance: between the object and his image there is a distance, a limit, a separation; this is the functioning of language, the only way we know to relate with the world and the others. Between each word and his meaning we find this distance as an original sin, a gap where the world disappear to be speaked. To communicate, the world and the human being have to disappear. For this, the art have to become “uncommunicative” and “uncommunicable”.

Dead SEEquences

Josien VogelaarPenelope
The story of Penelope, the wife of Odysseus, is visualized by little figures made of cut out photographs of the body of the artist. The figures represent the female, male and animal characters in the story. Such as: Penelope, Odysseus, their son Telemachos, the nurse, slaves and servants, warriors, , a goddess, the suitors, horses and the dog Argos. The film is made in stop motion technique.

Penelope

Anders WebergFor Sore Eyes
“For Sore Eyes” is another exploration of the ambivalence of the male gaze and gendered (dis)order.
It is a suggestive reflection of life in the pyrotechnic in sanatorium of consumerism freedom.
But what is really freedom?

For Sore Eyes

The full program is available on our Don’t You Have Docs? Mubi Garage channel and will also screen at LOOP in Melbourne on Monday the 19th of September at 7pm. No door charge!

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New video made with the iPad. Nothingness /1.

Nothingness episode One
Filmed with the iPad 2.
2011/09/05
01:47
no sound

by Anders Weberg

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